Greg Laswell Linked and Liked

It's early Saturday morning and I've logged on to Facebook to pick up some messages. Although I resisted Facebook at the onset last year, I must admit it has its advantages.

First it's about people. I've been able to connect with friends and family that I would otherwise not be able to. There just wouldn't have been that opportunity. The other of course, is the iLike application. I'd like to say that I'm turning friends on to new music by 'publishing' my iLike selections, but also, there are friends like Terrie, Jennifer and of course Marni, who are doing the same for me. So while many folks like to blame Book-Visage for everything from break-ups to gossip machinery, there's something to be said for the connection that a song or music can make between people.

With that said, thanks to Terrie and Jennifer for being very cool and selecting and publishing your pick for the multi-talented artist, Greg Laswell - hailing from San Diego, California. Besides being a producer and engineer, the guy clearly knows how to write and record good music. From his album, "Three Flights from Alto Nido", this song is entitled "How The Day Sounds" and it is my pick of the week.



Now I have to finish - actually start - my review for the new Snow Patrol. It's not doing it for me so far. Looks like another bleak 6 out of Tener.

Snow Patrol to Ryan Adams and back to Lucinda Williams

After receiving a brief email last week, the new Snow Patrol album is coming my way for review. The problem is, I wouldn't consider myself a big Snow Patrol fan. I mean, they're alright for soft edged pop. They're kind of like Coldplay's little brother aren't they? But I suppose I should save my reservations until I actually get the CD and hear it. Who knows, maybe I'll love it. It's much easier to write with love or hate. It's dreary if your feelings are grey or lukewarm. In writing, nothing could be more boring than indifference. In any case, my starting point before receiving the CD is research and I've found a few tricks for comprehending a band and an album. This morning my iTunes Store was my first stop. There's a few songs on it which might be palpable. But I was immediately uninterested and moved on to the new Ryan Adams and The Cardinals - now that's more my speed. I could sing my teeth into that one.

iTunes beguiles you in with one purchase and then thoughtfully recommends other artists and albums with their subtle "Listeners Also Bought" tool. Which naturally lead me to the newest Lucinda Williams' CD, "Little Honey". Steve said that Lucinda Williams was having a relationship with the wee Ryan Adams. I don't know about a romantic relationship. He's 34 and she's past 50. That would be rather Oedipus Rex-ish. I don't doubt they've observed in one another a strong sense of symmetry as artists.

The iTunes review of "Little Honey" was stirringly perfect; clearly the writer understands what it means to hear Lucinda Williams. The final paragraph of the review was irresistible, surmising

"the cover of AC/DC's "It's a Long Way To The Top" is at once bizarre and absolutely perfect, a blues lament coming from the mouth of a woman who has spent decades trying to get her point across."

Yes, that's exactly her.

It seems that most people are fairly flagrant with their music tastes and sadly, again, indifferent towards it. Hawksley Workman asserts "The poets let a generation down and modern music could be a healing sound" in his "We Will Still Need A Song". It's true, modern songwriters - real singer-songwriters - are vessels of poetry today; dispensing their stories and truths and harnessing them to harmonies; a double feat.

I guess my point is, I personally can't waste my precious time trying to assimilate monochromatic, common pop music. I know; pretty elitist.

"so I could parade it in all it's glory"

and Bernard Sumner is a total diva..hmmmm.

Phontaine

I worked on Saturday to help out at one of the showhomes in Heritage Woods. On the way home in the dark just after 6pm, driving along the quiet Barnet Hwy that hugs the inlet from Port Moody to Burnaby, I was listening to CBC Radio 2 and this catchy song came on. It was Sunny Day by local Vancouver music project Phontaine. Before the song ended I took note of the time and thought once I got home I'd check the CBC Playlist Web Site and find out what it was - there was no need because Tim Tamashiro, Tonic's host, plugged it immediately 'If you don't have any Phontaine, go out and buy an album - it's great music to have..." I was rummaging into my purse, nearly driving off the road for my ballpoint and note pad to scribble it down. Once home on Saturday night I purchased the album in which Sunny Day appears, Bibliotec. I wouldn't declare myself as a fan of electronic music, but I have to say, this got my attention.

This unofficial Phontaine video is of the final song on that album. I can't seem to find Sunny Day, but this entire album is pretty addictive at the moment. The track "Fin" is also fantastic.



Grant Baldwin is Phontaine and the music is grade A.

Home By The Sea - A Genesis forgotten classic

Tonight at the Cross, I scammed a few dollars off Steve Jones to throw into the "Juke Box". I punched in a few classics, but one surprised me - a Genesis song. I was a Genesis person in the eighth grade but this was post 1982. This is a great song. Post Genesis fan or not. The pub was filled and they liked it - but they didn't remember why.

"as we live relive our lives in what we tell you"

Ah Morrissey, we love you

Even though I "closed" my Airborne Confessions Blog down in August, I still receive the odd comment here and there. This morning I discovered this one left on a Morrissey post.

Morrissey is a rock ikon the world over as far as real people are concerned.
He refuses to conform to the commercialised and fake music scene. For this reason he is left out in the cold when his immense talent should be respected and idolised by true music fans.
Top bands such as The Stone Roses, Happy Mondays, Ordinary Boys, Wombats, Coldplay and many more all nod to his influence in their respective careers.
Morrissey is indeed the Last of The Famous International Playboys!

Vive la Moz!

PS. you are very pretty Stephanie. I will see you in far off places! Daz Manchester UK

Also, the photo above is most likely the confirmed artwork for his new album "Years of Refusal", due out February 3, 2009.

"Still On Fire" by First Aid Kit

Jason Collett you have my vote

I've been rather obsessed lately with bad politics, the crap Canadian election, the shite economy and the end of the world, so it was a little shining music that got me back on track. Although our election doesn't give us much hope, here in Canada we have great singer-songwriter talent to keep us from killing ourselves. I must say I just love this young cracking-folkish voice of Jason Collett's. He's just the perfect thing to get my mind off the negatives. I especially enjoy his song "Through The Night These Days". Jason Collett is signed to Arts & Crafts at the moment and they've done him a nice web-page, but other than that, I think you'd have to check out iTunes to get his album.

"Through The Night These Days" is from his latest release.

Finally something new!

While driving home over the Lions Gate Bridge, CBC Radio 2 played a track from a band I hadn't come across. The Fleet Foxes. I love their sound so I will leave you to their MySpace Page to see for yourselves. I say it's great Fall driving music. I like the tracks "English House" from the MySpace collection, but CBC played "Ragged Wood", which got me as far to blog this.

David Letterman appearance video

Bravo New York, Bravo!

While on the NY Times website this morning, an image caught my eye. Did I see carpet and chair and people sitting in the middle of Times Square? Yes - this image is just a sparkling component of what the essence of New York is about.



An audience in Times Square had a free treat on Monday evening: projections of the Metropolitan Opera’s opening night, with Renée Fleming in excerpts from “La Traviata,” “Manon” and “Capriccio.

I don't know who's in charge over there in New York, NY, but whoever it is, to come up with such an extraordinary idea - and perhaps this is a regular occurrence, I don't know - but they deserve a raise.

God bless New York and those exceptional people who understand the cultural splendor something like this event brings. Bravo!

Music in the Mail

For the cool photo above, I thank Flickr Photographer Elsie Cake. For my Bjork DVD, I thank my dear nephew...packaged and delivered all the way from California. I look forward to watching it. Alone - as directed.

Back to black indeed

In the past I have been unduly hard and embittered on the topic of Amy Winehouse. I wish to retract the past comments and negative review of her. This afternoon I came across an early interview she had on the Jonathan Ross show on YouTube. She so endearing, I urge you to stay with it and watch her acoustic performance of "I Heard Love Is Blind".

A few years after her debut album Frank, she released an even greater album, Back To Black. In thinking about what is so depressing about her situation with addiction is that she is undeniably super talented and she may be making like a shooting star across the sky - brief beauty soon to be erased as if it never existed at all.

Morrissey the cat

the song's name is "Stephanie" by Stevie Nicks and Lindsay Buckingham

Trees Lounge

Not only was Trees Lounge a great flick with great acting performances from Steve Buscemi, Michael Buscemi, Elizabeth Bracco and Carol Kane, it had a great title track by Hayden.

There Are Bad Times Just Around The Corner & the outlook is absolutely vile

One of the best online radio shows is "Morning Becomes Eclectic" on LA's KCRW.  Morrissey was the guest on August 29th and yes, bugger, I missed it live.  But here's the good news.  You can listen to the interview Here. LINK
Here are His Majesty's recommendations: 

1. The Courteenas - A new Manchester Band

2. The Buzzcocks "You Say You Don't Love Me" (boy, do I  relate)

3. Sparks - who "crashed" into Morrissey's life when he was only 14 - the single "Moon Over Kentucky"

4. The Cockney Rejects "The Greatest Cockney Ripoff"


5. The New York Dolls - "There's Gonna Be A Showdown".

"If you've ever seen footage of Steve Jones he's completely mimicking Johnny Thunders"

6. Jobriath - "Morning Starship"


7. The Single by Mr Bloe, "Groovin"

8. Noel Coward, 1940's England, "There Are Bad Times Just Around The Corner"

And as Morrissey says, Noel Coward is simply an amazing lyricist.

And by the way, Morrissey mentions that his first single he purchased was Marianne Faithful - "Come and Stay With Me".

James - one of the coolest bands ever

This video's from one of James' last concerts given in their hometown of Manchester. Tim Booth couldn't weigh more than 115 pounds.

a little piece of Frank Black history...

Everywhere Music Won't Take You...the CBC Radio 2 Fiasco

It is day two for the remodeled national FM station, CBC Radio 2, which Canadians have come to rely upon for steadfast classical music programming and I’m wondering what to think and where to stand on these changes. I will never hear again the radio's slogan, "Everywhere music takes you." What a shame. Somehow the new slogan "Music Lives Here" is a little lame for my liking. I mean, when they stated "everywhere music takes you" it was all encompassing, suggesting that something more than just music was going to happen here on the national station.

Several months back the entire country was in an uproar over the CBC’s heavy-handed change orders. I remember reading a National Post article where even the “young” listeners were in complete disapproving mode over the prospect of losing the Nation’s classical culture dose. There was even a Facebook Group called “Save Classical Music at the CBC.” Pathetically there were only 16,000 people to join.

Now according to CBC Executive Director of Programming, Chris Boyce, the new Radio 2 “will be more relevant to more Canadians.” When I first read this statement I thought – great, now CBC can be as mainstream, dull, boring, unintelligent, monotonous and characterless as the rest of radio programming in the Country – just what Canada needs.

As I drove down Taylor Way and approached the Lions Gate bridge this morning, I crinkled my brow and listened to dear old Tom Allen almost struggle to introduce discs and albums of alternative groups like Broken Social Scene, (a band I dearly love by the way), and I thought what a shame it was to mute all of his amazing knowledge for classical music and its composers. Now we’ll get nothing out of our dear Tom Allen, because this genre of music is simply not his thing.

I for one will long for the mornings where I can relax and listen to Bach, Haydn, Mozart and Chopin – and true disc-jockeys like Tom Allen and Peter Togni, as they would enlighten and account for the lost golden age of music. Thanks to the bind-folded executives at the CBC, the shovels are heaving the last piles of soil over the crypt of symphony, chamber and choral music in Canada.

Well, at least I still have my iTunes Radio where Public Radio reigns supreme on a Sunday morning.



Classical Facts:
Since we won't be hearing from our beloved CBC Radio 2 for this relevancy

Classical Music describes the specific period from 1750 – 1820 and the music of major composers such as Johann Christian Bach, Mozart and Haydn when music was modeled after the ideals of the philosophy and art of Ancient Greece and Rome – balance, proportion and disciplined expression.
There are many styles of music within classical music, including symphony, opera, choral works, chamber music, Gregorian chant, the madrigal, and the Mass.



Classical music is broken down into historical periods: Medieval (including Gregorian chant and all monophonic music before 1400); Renaissance (1400 – 1600, music that was related to the church and expression of piety); Baroque (1600 – 1750, including the music of Bach and Handel. This was the period during which opera began and music became more ornate and textured); Classical (1750 – 1820, including the music of Johann Christian Bach, Mozart and Haydn during which music became an expression of balance, and discipline and the structure of its harmonies were transformed. Public concerts became very popular.); Romantic (1820 – 1915, including the music of Johannes Brahms, Beethoven, Debussy, Chopin, Mendelssohn and Tchaikovsky. Music became more centered on ideas of fantasy, spontaneity and sensuality); Modern (1915 – present day, including Copland, Gershwin, Stravinsky, Barber. During this period older forms have been revisited and reinvented and technology has played an increasingly important role).





The term classical music was not used until the early 19th century in order to canonize the period from Bach to Beethoven as an impressive, "golden" era of music.
Many studies have proven that early experience with music provides the basis for more serious study later, so many parents expose their children to classical music at an early age and introduce them to instrumental lessons. The 1990s showed an interest in research papers and popular books on the so-called Mozart effect: a temporary, small elevation of scores on certain tests as a result of listening to Mozart. Other similar studies of different composers have produced positive effects on academic studies and child development.

Classical music is often associated with communication of transcendent emotion and universal ideas about the human condition. Many times composers will express inspiration from folklore, poems, paintings or other pieces of fine art and culture.


The Symphony is revered as one of the largest and most impressive fixtures in classical music. The following symphonies are some of the most perfectly representative of the structure: Mahler Symphony No. 9 in D Major; Haydn Symphony No. 34 in d minor; Beethoven Symphony No. 5 in c minor; Mozart Syphony No. 25 in g minor; Barber Symphony No. 1 in G Major; Haydn Symphony No. 94 in G Major; Dvorak Symphony No. 9 in e minor; Ives Symphony No. 1 in d minor; Brahms Symphony No. 2 in D Major; Beethoven Symphony No. 9 in d minor.

The contemporary classical American composer Samuel Barber and his brilliantly moving Adagio For Strings...

Chemical Brothers featuring Mazzy Star

The Tragically Hip - Canada's best band

As I just posted on Mainstream Melancholy, if you're a real Canadian, then your Canadian band is The Tragically Hip.

It's 1994 again

Driving back from the grocery store today, I was reminded of this song. A favorite from grade 9 or 10.

Band of Horse is great driving music

The first Band of Horses' song I heard was The Funeral, around the time John's dad passed away. I bought the album, got hooked and became an instant fan. I love this South Carolina indie rock sound - though BOH is completely unique. Ben Bridwell's vocals are hard to miss. It's music that I love to put in the car and just drive to.


If you like Sparklehorse or Built To Spill, you'll adore this band. I play both albums "Everything All The Time" and "Cease To Begin" a lot. It's just music I never tire of. The other day I went in to a local women's clothing store and there was that unmistakable sound playing. I asked the store manager if it was Band of Horses. She wasn't sure so she went over to the counter to collect their playlist, saying they never play top 40 (top 40 being a swear word in my presence). Sure enough, it was. It was a song I hadn't listened to yet. The moment I arrived back at my apartment, I got on my iTunes and just reveled in it's soaking guitar churns and Ben's brilliant phrasing. Love these guys.

I have forgiven Morrissey

Another "Walking" video - strange how many there are. That latest one, "All You Need Is Me" actually made me chuckle. There's a blog who's author has listed all these "Morrissey Walks". Check out their very valid point HERE.

I love this one though. I cannot resist the lyrics: "Monday - humiliation, Tuesday - suffocation, Wednesday - condescension, Thursday - is pathetic, By Friday life has killed me, By Friday life has killed me, Oh pretty one, Oh pretty one"....

and then this line "And why did you stick me in self deprecating bones and skin?"

I think I found another funeral song.

The Kathleen Edwards' article

So this past Friday, May 16th, 2008, my article for Kathleen Edwards' latest release Asking For Flowers, was published in The News. I'll publish the full review here and make one thing clear: I would NEVER write or describe anything as "genuine gems". That's editing for ya.

Couple of things before the article. First, her official website is really quite lovely. Check out kathleenedwards.com

I found a great photo shoot collection of KE on Flickr here.
Then I found what just may be Kathleen Edwards' own Flickr Site HERE.


This is the unedited, unprofessional version.

Artist: Kathleen Edwards
Album: Asking For Flowers
Label: MapleMusic Recordings
Rating: 8 out of 10

Kathleen Edwards is a musician with a flair for thrashing the monotony of modern-day, anesthetized country music. She’s young, she’s severely talented, and she’s the exact opposite of music’s mainstream. She’s proved herself for a third time with “Asking For Flowers”, a jagged country-alternative album laden with slide guitar, pedal steel, harmonica and piano, all christened by Edwards’ not so perfect but ever provocative voice.

Born only a blink of an eye ago in 1978 in Ottawa, yet Edwards is as confident and reflective as Lucinda Williams. Her radiant 2003 debut album “Failer” wildly transcended the country and folk genres like a bucking bronco. Five years on and still wise beyond her years, these eleven new songs are genuine; heavy with murky, poetic lyrics, all delivered hard with plaintive, true-grit intent.

In the studio she’s taken on co-producer role along with Jim Scott and extolled a pioneer posse of backing musicians. These include Keyboardist Benmont Tench (from Tom Petty’s Heartbreakers), pedal steel ace Greg Liesz (feature musician for Wilco, The Jayhawks and Lucinda Williams), Don Heffington (Bob Dylan’s lineage) and of course her husband, guitarist Colin Cripps, all contribute to this wonderful creation.

From the very first line on the very first track, Edwards establishes certain sentimentality as she wisps “The summer months left me alone/But the fall rolled in on the back of a storm”. With a pesky beat, “The Cheapest Key” is in second position; an alphabetized litany of complaints and objections to perhaps an old boyfriend. But the unquestionable stunner of the album is its unyielding coda, “Goodnight, California”, where Edwards has never sounded so good.

-Stephanie Kiernan, 5/16/08

"He Looks Like an Allman Brother"

I turn on MSNBC and see that Paul Davis has died at the age of 60. Back in the day I loved this song and I used to dart back and forth from CKLG and CFUN just to see if I could catch it playing. I know. Brutal days before having iTunes and playing music on demand.

This song is about the suckiest song you're gonna hear on this blog - so indulge me. No hate mail please. And by the way, had I'd known what a horrific lid he had (God bless his soul), I probably wouldn't have loved the song as much as I did.



Don't even get me started - I'll be posting Ambrosia and Player videos soon.

"Hungry for Change"

Echobelly - so if you don't have any Echobelly, go to HMV and seek out your copy of their 1995 album "ON". It's fantastic front to back, but I have to say "Pantyhose and Roses" and "Something Hot in a Cold Country" are my favorite singles. Oh yes, and "Four Letter Word" is also very good. But then there's "Nobody Like You". It totally reminds me of something Morrissey himself would love.

Now that's something for Morrissey to go do. Team up with Sonya Aurora. What a duo they would make!

Honest Roots Rock: The Jayhawks

One of my musics greatest disappointments is the disappearance of The Jayhawks. Rainy Day Music was the album I first bought of theirs and I played it to death. Jayhawks' frontman, is Gary Louris who reminds me in his looks, of Paul Westerberg. What crazy hair eh? I don't know what it is about them - whether you call it folk or roots rock - they ain't country-western - but they just have an easy-going and such a harmony. You can't find actual Videos of their songs on YouTube, just a bunch of badly recorded live set stuff.

Jayhawks' lyrics are fantastic and most of their stuff I listen to and think "Hey, does that guy know me?" Particularly with "Save It For A Rainy Day" or "Stumbling In The Dark". You can check out their website on Lost Highway HERE, where better quality recordings can be heard.

That's the Jayhawks. Nothing fancy, honest just roots rock.

Blue Merle...

Besides the new Morrissey Greatest Hits completely breaking my heart, so is the fact that the little band that could, Blue Merle, is no longer. They've got a collection of cool roots rock songs that'll please anyone. Except if you're missing your cool bone. If you have the need to do some grave digging, get on the http://www.bluemerle.com/main.html bandwagon. They're fantastic.

Inside The Smiths: They're never getting back together - get over it.

In the crowded downtown HMV store, the pulsating guitar intro of “Irish Blood, English Heart” is amplified over the sound system and with immediate detection I’m grinning to myself. Besides the tattooed and pierced twenty-something employee spinning today’s new CD picks, I am perfectly alone in recognizing Morrissey’s renaissance single from 2004’s You Are The Quarry. Today the single plays as the fourth song on his latest recording, yet another Greatest Hits album.

Considering his solo career has spanned twenty years now, Steven Patrick Morrissey is still far from being a North American household name; typically identified as the former lead singer for The Smiths. Under a veil of uncommonness, Morrissey languishes in the safekeeping of his devotees, sanctioned by ex-Smiths’ patriots and a fierce brigade of Latinos. He has become an icon among the survivors of the by-gone 1980’s rave culture and indeed the most successful out of the former Manchester quartette.

Picking up the pieces immediately following the 1987 demise of The Smiths, issuing his first solo album “Viva Hate” in March of the following year, Morrissey contrives a formula of releasing original albums with B-side compilations and best-ofs in between. Now, several record labels later, he still finds it reasonable to pander an eighth compilation – this one under London’s imperial Decca Music Group. The packaging is gorgeous and features a heavenly black and white close up photograph of Moz with eyes wistfully closed – from about ten years ago albeit. But sadly, the song selection here is quite dumbfounding, too cumbersome with material from his last two studio recordings which aren’t the definitive of Morrissey for anyone. When it finally whirls its way through to track 7, we revive the faithful standby “Everyday Is Like Sunday” and three other interchangeable best-knowns. Thank God for the bonus CD, Live At The Hollywood Bowl and that gorgeous packaging. I ached over his oversight of Piccadilly Palare, At Amber, Boxers and my treasured Late Night, Maudlin Street. It’s simply puritanical of him to omit those and include his cover of Patti Smith’s Redondo Beach on a Greatest Hits.

And as if this were all not enough to make me completely despondent, I then subjected myself to watching the lop-sided documentary film Inside The Smiths, Through the Eyes of Mike Joyce and Andy Rourke, which seemed more like an attempt at time travel for the neglected “rhythm section” of the band than an upright documentary. Curiously devoid of any Smiths soundtrack (more royalty quibbling), the most poignant tangible is that Rourke and Joyce come out as the most devoted of Smiths fans. Yet this doesn’t stop me from wincing at their raw refusal to move on with their careers and lives.

The same cannot be said for Morrissey, who may routinely toss in classic Smiths’ songs at live concerts, he emphatically revolts the idea of reuniting. As for his latest and greatest; this Greatest Hits is a pulverization that shows little of his brilliance and proves his contentment in being the commander-in-chief of his own eccentric musical machine. I love him but I’d never recommend this album-I’d stick with the 2001 The Best of Morrissey.
- Stephanie Kiernan